Like Manhunt, but it hasn't even managed to get the controversy right, and the result is not worth getting worked up about in any fashion. It's attempted to follow in the footsteps of games As it stands, the only affront is how bland and repetitive it is and how heavily it relies on violent gimmickry. Ironically, The Punisher may have been a better game if it were more offensive. As a concession to decency, the latter actually loses you points, though in some cases you're rewarded with a brief cut-scene, so it goes both ways. Options include shooting people, throwing them out of windows, performing quick executions, knifing them through the face in 'rage' mode or torturing them to death in the show-stopping interrogation scenes.
You're rewarded for saving innocents, letting a criminal go when he succumbs to interrogation and not getting shot, but also for being as sadistic as possible in your variety of killing techniques.
This revolves around a 'punishment metre' that fills up according to how much pain you dish out in each level and how you go about it. Instead, Volition's effort consists almost entirely of unsubtle room clearing, as you cut your way through hordes of criminals on your way to uncertain revenge.Īdmittedly, things are spiced up to some degree by an occasional outburst of cruelty (no longer graphic but still nasty) and an insubstantial reward system. No Payne, No GainĪt this point you might be noticing some parallels with Max Payne 2 (to which the game has frequently and generously been compared) but The Punisher doesn't enjoy any of that game's finesse: the physics, the slow-motion choreography, the delicately arranged domino explosions. The plot occurs in flashback, from a prison cell, as the police reconstruct a particularly violent chapter in the Punisher's life, slashing and burning his way through a crime family in an effort to rid the world of scum. He's your classic pissed-off psychopath out for revenge on the world because his family was slain by the Mob. To state the obvious for a second, the game casts you as Frank Castle, aka the Punisher. Ultimately, it's just another generic third-person shooter. Without its depraved raison d'etre the game's essential flimsiness is exposed, and the resulting action is as hollow as the tips of The Punisher's vengeful bullets. You see, toning down the game's sick side has, in a sense, ruined this comic-book shooter. Which is great if you're concerned with the moral turpitude of the industry, but it does leave me in a bit of a quandary. Marvel's misanthropic antihero, an NRA poster-boy with the most vicious sense of justice this side of an American detention camp had been tamed. The vicious torture scenes - taking in everything from a Fargo-style encounter with a wood chipper to a kerbside homage to American History X - were burnt out, solarised into a mere suggestion of their former brutality. The Soldier Of Fortune-style dismemberment was removed.
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Torture! Mutilation! Cold-blooded cruelty! All part of the race to exploit our wayward youth and capture a bit of free publicity in the pages of the Daily Mail.Īnd then, a few months prior to release, THQ went and toned it all down. As much as I love violent games, I was all ready to get on my high horse and declare this the ultimate sign of moral decay in our industry. This Was going to be the one where I drew the line.
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